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This title sheet from Pechstein's "The Lord's Prayer" portfolio has the title of the series in large letters and an attribution to Pechstein at the bottom. Beneath the word "Vater," a man leans over a table, his hands folded in prayer. Two other praying men in profile bracket the word "Unser" near the bottom. All three wear plain, long-sleeved blue shirts.
Max Pechstein
The Lord's Prayer, sheet 1 (Das Vaterunser)
1921
Museum Purchase
1948/1.423
A large central figure represents God towers seen in the radiating rays of light and clouds that surround him.. On the forehead of his blocky, totemic head is a third eye. His left arm crosses over his middle and holds fire. His right hand extends down to the lower right corner as reaching down. The words "Vater Unser" are at the very top; "Der Du Bist" across God's waistline; "im Himmel" along the bottom.
Max Pechstein
The Lord's Prayer, sheet 2 - Our Father Who Art in Heaven (Das Vaterunser - Vater Unser Der Du bist im Himmel)
1921
Museum Purchase
1948/1.424
A group of seven men kneel and pray around a radiant figure representing God. God is in the viewer's upper left, and the supplicants are arranged around him. Hands project into the scene from behind God, suggesting additional figures kneeling in prayer behind.
Max Pechstein
The Lord's Prayer, sheet 6 - And Forgive Us Our Sins (Das Vaterunser - Und vergieb uns unsre Schuld)
1921
Museum Purchase
1948/1.428
One forearm extends from the upper left side and ends to the right of center in a hand with palm down. Another arm extends from the lower right and ends in the lower left in a hand with palm up. Between the hands is the word "Amen!" in large letters.
Max Pechstein
The Lord's Prayer, sheet 12 - For Ever and Ever. Amen! (Das Vaterunser - von Ewigkeit zu Ewigkeit. Amen!)
1921
Museum Purchase
1948/1.434
Girls hanging from a horizontal pole. One girl is doing a handstand on the ground and the girl hanging from the pole is holding her feet.
John Vachon
Playground Scene, Irwinville School, Georgia, May
Gift from the Collection of David S. Rosen MD, MPH, Library of Congress 606262-USF33-001158-M5
2014/2.110
A young woman in a black dress and white shawl holds a croquet mallet behind her back. She stands in the midground of the composition in a sunlit patch of grass strewn with three croquet In the foreground, three croquet balls mirror the wickets, and a white dog sits beneath a tree amongst a watering can and many small flower pots. Two more young women kneel and lounge in the grass in the background next to a small round pond with a fountain; an arcade of columns can be seen beyond the water.<br /> Signed and dated, in the plate, l.l.: "J.J. Tissot / 1878"
James Jacques Joseph Tissot (French (culture or style))
Le Croquet
1878
Gift of Professor Walter M. and Nesta R. Spink
2014/2.223
This print has an image of a plant with three large petals in black with white lines. The plant has a dark blue stem which reaches the bottom of the image. In the background, there are colored strips in tan, blue, pink, maroon and black. In the blue band, there are patterned variations in a lighter tone. The plant also has its own embossed marks. The print is titled (l.l.) "Ocean View" signed (l.r.) "Barbara Young imp" and numbered (l.c.) "7/20" in white.
Barbara Young (American (North American))
Ocean View
1985
Gift of Claire Spitler
1986/2.64.6
A black and white woodcut print of a black key-like shape with an off-white marking at the top.
Hans (Jean) Arp (French (culture or style))
Idole
1968
Gift of Dr. Seymour and Barbara K. Adelson
2012/2.8
An abstract print featuring red, grey, and green stencilled letters and a red arrow cutting horizontally through the work.&nbsp;
Jasper Johns (American (North American))
Voice II (Two of a set of three)
1982
Bequest of Gertrude Kasle
2016/2.96
This screenprint has a simple, graphic image of a folded piece of paper on a table. The folded paper outline with dark black lines and colored in a beige color. The table is similarly outlined and is colored white. The background is a bright red color. The print is inscribed by the artist in pencil (l.r.).
Patrick Caulfield (British (modern))
Watch me eat, without appetite, à la carte
1973
Gift of Jack A. and Noreen Rounick
2004/2.80.2
This print has two series of thick black parallel lines that form a zig-zag pattern and connect out to a series of spheres, resembling a wall-mounted coat rack. There are two lines of spheres; the three on the top are light purple and the three on the bottom are dark purple. The background and the structure created by the parallel lines is in a dark purple. The print is signed and editioned in pencil (l.r.) "Patrick Caulfield AP".
Patrick Caulfield (British (modern))
Oh! if one of Them, some fine evening, would try
1973
Gift of Jack A. and Noreen Rounick
2004/2.80.10
This print is almost entirely solid black. At the top center, there are two planes of color, shades of blue, separated by a thick black line. This creates an image resembling an opened curtain, looking out a window from a dark room. The print is signed and editioned in pencil (l.r.) "Patrick Caulfield AP".
Patrick Caulfield (British (modern))
And, with my eyes bolting toward the unconscious
1973
Gift of Jack A. and Noreen Rounick
2004/2.80.12
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